Narrative and Critical History of America, Vol. 1 (of 8) by Justin Winsor

(4 User reviews)   3879
English
Okay, I know what you're thinking: an eight-volume history from the 1880s? Hear me out. This isn't a dusty textbook. It's a time capsule of how America saw its own story right after the Civil War. The big question it makes you ask isn't just 'What happened?' but 'Why did they think it happened *this* way?' The author, Justin Winsor, pulls together essays from top scholars of his day, creating a snapshot of 19th-century thought. It's less about finding absolute truth and more about understanding the lens through which a generation viewed its past. If you've ever wondered how history books shape a nation's identity, start here.
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and you came back to Cambridge in due time to assume your high office. Twelve years ago, sought by you, I likewise came, to discharge a duty under you._ _You took me away from many cares, and transferred me to the more congenial service of the University. The change has conduced to the progress of those studies in which I hardly remember to have had a lack of interest._ _So I owe much to you; and it is not, I trust, surprising that I desire to connect, in this work, your name with that of your_ _Obliged friend_, [Illustration] CAMBRIDGE, 1889. CONTENTS AND ILLUSTRATIONS. [_The cut on the title represents a mask, which forms the centre of the Mexican Calendar Stone, as engraved in D. Wilson’s Prehistoric Man, i. 333, from a cast now in the Collection of the Society of Antiquaries of Scotland._] INTRODUCTION. PART I. AMERICANA IN LIBRARIES AND BIBLIOGRAPHIES. _The Editor_ i ILLUSTRATIONS: Portrait of Professor Ebeling, iii; of James Carson Brevoort, x; of Charles Deane, xi. PART II. EARLY DESCRIPTIONS OF AMERICA, AND COLLECTIVE ACCOUNTS OF THE EARLY VOYAGES THERETO. _The Editor_ xix ILLUSTRATIONS: Title of the _Newe Unbekanthe Landte_, xxi; of Peter Martyr’s _De Nuper sub D. Carolo repertis insulis_ (1521), xxii; Portrait of Grynæus, xxiv; of Sebastian Münster, xxvi, xxvii; of Monardes, xxix; of De Bry, xxx; of Feyerabend, xxxi. CHAPTER I. THE GEOGRAPHICAL KNOWLEDGE OF THE ANCIENTS CONSIDERED IN RELATION TO THE DISCOVERY OF AMERICA. _William H. Tillinghast_ 1 ILLUSTRATIONS: Maps by Macrobius, 10, 11, 12; Carli’s _Traces of Atlantis_, 17; Sanson’s _Atlantis Insula_, 18; Bory de St. Vincent’s _Carte Conjecturale de l’Atlantide_, 19; Contour Chart of the Bottom of the Atlantic Ocean, 20; The Rectangular Earth, 30. CRITICAL ESSAY 33 NOTES 38 A. The Form of the Earth, 38; B. Homer’s Geography, 39; C. Supposed References to America, 40; D. Atlantis, 41; E. Fabulous Islands of the Atlantic in the Middle Ages, 46; F. Toscanelli’s Atlantic Ocean, 51. G. (_By the Editor._) Early Maps of the Atlantic Ocean, 53. ILLUSTRATIONS: Map of the Fifteenth Century, 53; Map of Fr. Pizigani (A.D. 1367), and of Andreas Bianco (1436), 54; Catalan Map (1375), 55; Map of Andreas Benincasa (1476), 56; Laon Globe, 56; Maps of Bordone (1547), 57, 58; Map made at the End of the Fifteenth Century, 57; Ortelius’s Atlantic Ocean (1587), 58. CHAPTER II. PRE-COLUMBIAN EXPLORATIONS. _Justin Winsor_ 59 ILLUSTRATIONS: Norse Ship, 62; Plan of a Viking Ship 63, and her Rowlock, 63; Norse Boat used as a Habitation, 64; Norman Ship from the Bayeux Tapestry, 64; Scandinavian Flags, 64; Scandinavian Weapons, 65; Runes, 66, 67; Fac-simile of the Title of the Zeno Narrative, 70; Its Section on Frisland, 71; Ship of the Fifteenth Century, 73; The Sea of Darkness, 74. CRITICAL NOTES 76 A. Early Connection of Asiatic Peoples with the Western Coast of America, 76; B. Ireland the Great, or White Man’s Land, 82; C. The Norse in Iceland, 83; D. Greenland and its Ruins, 85; E. The Vinland Voyages, 87; F. The Lost Greenland Colonies, 107; G. Madoc and the Welsh, 109; H. The Zeni and their Map, 111; I. Alleged Jewish Migration, 115; J. Possible Early African Migrations, 116. ILLUSTRATIONS: Behring’s Sea and Adjacent Waters, 77; Buache’s Map of the North Pacific and Fusang, 79; Ruins of the Church at Kakortok, 86; Fac-simile of a Saga Manuscript and Autograph of C. C. Rafn, 87; Ruin at Kakortok, 88; Map of Julianehaab, 89; Portrait of Rafn, 90; Title-page of _Historia Vinlandiæ Antiguæ per Thormodum Torfæum_, 91; Rafn’s Map of Norse America, 95; Rafn’s Map of Vinland (New England), 100;...

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The Story

This first volume kicks off a massive project. It doesn't follow a single narrative thread like a novel. Instead, editor Justin Winsor acts like a museum curator, gathering expert essays on America's earliest days—from Indigenous cultures and Viking legends to Columbus and the first European settlements. Each chapter is written by a different specialist, giving you a collage of perspectives on pre-colonial and early colonial history.

Why You Should Read It

Don't read this for quick, modern facts. Read it to get inside the heads of the people who were defining 'American history' for the first time. You can feel the weight of the recent Civil War in how they look back. Their biases, their blind spots, and their big ambitions are all part of the story here. It's fascinating to see what they got right, what they missed completely, and how their work laid the foundation for so much history we learn today.

Final Verdict

This is for the curious reader who loves history *and* loves thinking about how history is made. It's perfect if you've read a lot of modern accounts and want to see the source material, or if you're a writer looking for the original atmosphere of a period. It requires some patience, but the reward is a unique, almost meta, historical experience. Think of it as a primary source about creating secondary sources.



⚖️ Community Domain

This is a copyright-free edition. It is now common property for all to enjoy.

Emily Martin
1 year ago

Solid story.

Daniel Miller
6 months ago

Having read this twice, the atmosphere created is totally immersive. Exceeded all my expectations.

Dorothy Perez
1 year ago

I stumbled upon this title and it manages to explain difficult concepts in plain English. I would gladly recommend this title.

Oliver Moore
1 year ago

To be perfectly clear, the atmosphere created is totally immersive. Absolutely essential reading.

4.5
4.5 out of 5 (4 User reviews )

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