Poésies du troubadour Peire Raimon de Toulouse: Texte et traduction by Peire Raimon

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Peire Raimon, of Toulouse, 1180?-1225? Peire Raimon, of Toulouse, 1180?-1225?
French
Ever wondered what people in the 12th century daydreamed about? It wasn't all knights and dragons. Peire Raimon, a troubadour from Toulouse, poured his heart into poems about love, politics, and the meaning of life. This book isn't just dusty old words; it's a direct line to a man trying to figure out his place in a world of shifting loyalties and courtly romance. The real mystery isn't in the plot—it's in trying to hear his voice across 800 years. What does it mean to love, to praise, or to criticize when your patron holds your purse strings? It's a surprisingly human look at a time we often only see in movies.
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and are now reproduced in a book as they were published in the newspaper. The only exception refers to the last chapter on Zionism; and even there the book only reverts to the original note-book. A difference of opinion, which divided the writer of the book from the politics of the newspaper, prevented the complete publication of that chapter in that place. I recognise that any expurgated form of it would have falsified the proportions of my attempt to do justice in a very difficult problem; but on re-reading even my own attempt in extenso, I am far from satisfied that the proper proportions are kept. I wrote these first impressions in Palestine, where everybody recognises the Jew as something quite distinct from the Englishman or the European; and where his unpopularity even moved me in the direction of his defence. But I admit it was something of a shock to return to a conventional atmosphere, in which that unpopularity is still actually denied or described as mere persecution. It was more of a shock to realise that this most obscurantist of all types of obscurantism is still sometimes regarded as a sort of liberalism. To talk of the Jews always as the oppressed and never as the oppressors is simply absurd; it is as if men pleaded for reasonable help for exiled French aristocrats or ruined Irish landlords, and forgot that the French and Irish peasants had any wrongs at all. Moreover, the Jews in the West do not seem so much concerned to ask, as I have done however tentatively here, whether a larger and less local colonial development might really transfer the bulk of Israel to a more independent basis, as simply to demand that Jews shall continue to control other nations as well as their own. It might be worth while for England to take risks to settle the Jewish problem; but not to take risks merely to unsettle the Arab problem, and leave the Jewish problem unsolved. For the rest, there must under the circumstances be only too many mistakes; the historical conjectures, for they can be no more, are founded on authorities sufficiently recognised for me to be permitted to trust them; but I have never pretended to the knowledge necessary to check them. I am aware that there are many disputed points; as for instance the connection of Gerard, the fiery Templar, with the English town of Bideford. I am also aware that some are sensitive about the spelling of words; and the very proof-readers will sometimes revolt and turn Mahomet into Mohammed. Upon this point, however, I am unrepentant; for I never could see the point of altering a form with historic and even heroic fame in our own language, for the sake of reproducing by an arrangement of our letters something that is really written in quite different letters, and probably pronounced with quite a different accent. In speaking of the great prophet I am therefore resolved to call him Mahomet; and am prepared, on further provocation, to call him Mahound. G. K. C. CONTENTS CHAPTER I THE WAY OF THE CITIES CHAPTER II THE WAY OF THE DESERT CHAPTER III THE GATES OF THE CITY CHAPTER IV THE PHILOSOPHY OF SIGHT-SEEING CHAPTER V THE STREETS OF THE CITY CHAPTER VI THE GROUPS OF THE CITY CHAPTER VII THE SHADOW OF THE PROBLEM CHAPTER VIII THE OTHER SIDE OF THE DESERT CHAPTER IX THE BATTLE WITH THE DRAGON CHAPTER X THE ENDLESS EMPIRE CHAPTER XI THE MEANING OF THE CRUSADE CHAPTER XII THE FALL OF CHIVALRY CHAPTER XIII THE PROBLEM OF...

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The Story

This isn't a novel with a single plot. It's a collection of songs and poems written by Peire Raimon, a professional poet and musician in the south of France around 1200. He wrote for a living, so his work is a mix of what he felt and what his wealthy patrons wanted to hear. You'll find passionate love songs dedicated to idealized women, sharp political commentary on the powerful figures of his day, and even some witty, playful verses. The 'story' is the journey through his mind and his world, from the heights of romantic longing to the gritty reality of making a living with your words.

Why You Should Read It

Reading this feels like finding a time capsule. The facing-page translation is key—you can see the original Occitan language and read the modern French side-by-side. It breaks down the wall between 'ancient history' and now. What struck me most was how familiar his struggles feel. He worries about his reputation, tries to please his audience while staying true to himself, and searches for genuine connection. His love poems aren't just flowery; there's tension and desire in them that feels real, even today.

Final Verdict

Perfect for anyone curious about real medieval life beyond the castles, or for poetry lovers who want to explore the roots of European lyric tradition. It's also a great pick if you enjoy biographies, as this collection paints a vivid portrait of a man through his own words. Don't expect a fast-paced adventure; instead, settle in for a thoughtful, intimate conversation with a voice from the distant past. You might be surprised by how much you have in common.



ℹ️ Open Access

This book is widely considered to be in the public domain. You can copy, modify, and distribute it freely.

Emily Brown
1 year ago

Beautifully written.

Kimberly Jackson
3 months ago

After hearing about this author multiple times, the depth of research presented here is truly commendable. Exactly what I needed.

Robert Flores
1 year ago

I didn't expect much, but the flow of the text seems very fluid. Absolutely essential reading.

Paul Taylor
1 year ago

From the very first page, it challenges the reader's perspective in an intellectual way. Worth every second.

Patricia Wilson
7 months ago

Loved it.

4.5
4.5 out of 5 (8 User reviews )

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